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| May Student Page | ||||||||||||
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| Concept, Composition, Confidence, Contrast, Color Harmony, Character, Courage | ||||||||||||
| By Dan Bartges | ||||||||||||
| Assignment 9 In A Series Of 10: Character (Style) | ||||||||||||
This month's chapter is entitled "Character," because your best art is an expression of your own unique thoughts, feelings, values and interests—in other words, your character. What, why and how you paint will eventually combine together as your artistic style. So in a way, developing your painting style is also an adventure in self-discovery. |
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| CHARACTER (STYLE) | ||||||||||||
What is artistic style? Why is it important? And how can you develop your own unique style of painting? "Paint a little less of the facts and a little more of the spirit. Paint more with feeling than with thought [because] when intellect comes in, art goes out." "With a paintbrush, I could make the whole world feel what I have seen." "I long ago came to the conclusion that, even if I could put down accurately [in paint] the thing I saw and enjoyed, it would not give the observer the kind of feeling it gave me. I had to create an equivalent for what I felt about what I was looking at, not copy it." |
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| IMPRESSIONISM | ||||||||||||
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| Childe Hassam (American; 1859–1935). The South Ledges, Appledore, 1913. Oil on canvas; 34.25" x 36.125". Smithsonian American Art Museum. Gift of John Gellatly. >> Click Here << To View Painting Larger |
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| Abbott Handerson Thayer (American; 1949–1921). Roses, 1890. Oil; 22.375" x 31.375". Smithsonian American Art Museum, Gift of John Gellatly. >> Click Here << To View Painting Larger |
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| PRIMITIVISM | ||||||||||||
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| Loïs Mailou Jones (American; 1905–1998). Les Fetiches, 1938. Oil on linen; 25.5" x 21.25". Smithsonian American Art Museum. Museum purchase made possible by Mrs. Norvin H. Green, Dr. R. Harlan and Francis Musgrave. >> Click Here << To View Painting Larger |
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| REALISM | ||||||||||||
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| Edward Hopper (American; 1882–1967). Cape Cod Morning, 1950. Oil on canvas; 34.125" x 40.25". Smithsonian American Art Museum. Gift of the Sara Roby Foundation. >> Click Here << To View Painting Larger |
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| Robert Henri (American; 1865–1929). Cumulus Clouds, East River, 1901–02. Oil on canvas; 25.75" x 32". Smithsonian American Art Museum. Gift of Mrs. Daniel Fraad in memory of her husband. >> Click Here << To View Painting Larger |
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| ABSTRACTION | ||||||||||||
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| Georgia O'Keeffe (American; 1887–1986). Only One, 1959. Oil on canvas; 36 x 30.125". Smithsonian American Art Museum. Gift of S.C. Johnson & Son, Inc. | ||||||||||||
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| Helen Frankenthaler (American; 1928–2011). Small's Paradise, 1964. Acrylic on canvas; 100" x 93.625". Smithsonian American Art Museum. Gift of George L. Erion. | ||||||||||||
| MUSEUM CONNECTION You've taken a look at Edward Hopper's painting Cape Cod Morning from the collection of the Smithsonian American Art Museum. Did you know he also made a painting called Cape Cod Evening? Think about how an artist might approach painting the same place under different conditions, taking into consideration variables such as light, weather or time of day, while still capturing the character of a particular place. To learn more about the artist and his work, visit "Edward Hopper's Scrapbook," Smithsonian American Art Museum's online resource about the places and people Edward Hopper painted: http://americanart.si.edu/exhibitions/online/hopper/ |
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| QUIZ ME! Click here to download May Quiz Me! document |
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| Author: A full-time artist since 1996, Dan Bartges is the author of the book, "Color Is Everything," and two books on sports, "Winter Olympics Made Simple" and "Spectator Sports Made Simple." Visit his website at www.danbartges.com. | ||||||||||||
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