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| April Student Page | ||||||||||||
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| Concept, Composition, Confidence, Contrast, Color Harmony, Character, Courage | ||||||||||||
| By Dan Bartges | ||||||||||||
| Assignment 8 In A Series Of 10: Color Harmony | ||||||||||||
To understand this chapter, you'll need one thing: a standard, 12-hue color wheel, available for about $5 at arts-and-crafts stores or online at art-supply websites. (Either the 9- or 5-inch diameter wheel is fine.) |
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| A standard color wheel features 12 colors, or hues. | ||||||||||||
So get yourself a color wheel, then let's embark on this colorful adventure! HOW IT WORKS |
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| COLOR HARMONY | ||||||||||||
To create your best artwork and to really enjoy painting, you need to learn how color harmony works. If your colors aren't harmonious (if they become discordant, like sour notes in music), then your entire painting will seem lifeless or downright unattractive—even if you've painted everything else correctly! THE COLOR WHEEL |
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| Illus. A. This side of a color wheel shows how to mix various colors | ||||||||||||
| Side B of the wheel (see Illustration B) is the essential key to understanding color harmony. | ||||||||||||
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| Illus. B. This side of the wheel is your key to understanding how color harmony works. | ||||||||||||
At the center of the wheel are several geometric shapes. These indicate various color schemes. Because color harmony depends on various colors' relationships to one another on the wheel. MONOCHROMATIC |
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| Two Cherries, by the author, was painted with only the color red, mixed with some white and black. |
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| ANALOGOUS The monochrome's closest kin, an analogous color scheme offers the artist much more to work with. It consists of at least two, and no more than five, consecutive colors on the color wheel. For example, turn the wheel's center dial so that red-orange, orange, yellow-orange, yellow and yellow-green show in the five consecutive windows. Only these five analogous colors, or hues, were used for The Piano Lesson. |
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| The Piano Lesson, by the author, employs an analogous color scheme of five consecutive colors on the wheel. | ||||||||||||
| COMPLEMENTARY This scheme employs two colors that are directly opposite each other on the wheel. For example, James River at Dawn uses only subtle shades of blue and orange, the most commonly used complements, especially for landscapes. |
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| The two complementary colors, blue and orange, were used for James River at Dawn, by the author. |
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| SPLIT COMPLEMENTARY This scheme uses three colors that are almost directly opposite one another—one on one side of the wheel, the other two adjoining that color's true complement. For example, set the dial's "Split Complementary" triangle at red-orange, yellow-orange and blue, the combination used in Ducks on Little Wicomico Inlet. |
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| Ducks on Little Wicomico Inlet, by the author, uses the split-complementary color scheme of red-orange, yellow-orange and blue.. | ||||||||||||
| TRIAD This workhorse of a color scheme employs three colors equally spaced apart on the wheel to form a sturdy, triangular relationship. Because of its versatility, the triadic combination of green, violet and orange is often used, especially for landscapes as in Tiber Island, Rome. |
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| The author used three triadic colors for Tiber Island, Rome—green, violet and orange. | ||||||||||||
| TETRAD More complicated and demanding, a tetrad uses four colors, which are always two pairs of complements, such as blue with orange and red with green as in Girl with a Boat. |
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| The color scheme for the author's Girl with a Boat is a tetrad using blue, orange, red and green. |
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A tetrad can produce unusually rich paintings with excellent color structure. Note that the wheel shows two geometric shapes for a Tetrad—a rectangle and a square. Both shapes connect two pairs of complementary colors. Conclusion As long as the combination of colors you choose for your painting conforms to a particular color scheme and the painting doesn't include any other colors, your finished painting's colors will be in harmony. These six schemes allow virtually limitless artistic expression because for each scheme, there are countless possible variations in the combinations of hues, intensities (chroma), values and applications (techniques). |
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| QUIZ ME! Click here to download April Quiz Me! document |
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| Author: A full-time artist since 1996, Dan Bartges is the author of the book, "Color Is Everything," and two books on sports, "Winter Olympics Made Simple" and "Spectator Sports Made Simple." Visit his website at www.danbartges.com. | ||||||||||||
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