Each school year, it seems like our students are testing more and more and creative problem-solving less and less. In an effort to stimulate my students to think on a much deeper level, I embarked on a conceptual sculpture/earthwork assignment with my Sculpture II and III students. For some of them, this lesson was a struggle; while for others, it turned out to be their best sculpture to date.
As an introduction to conceptual art, the class and I had an interactive discussion about conceptual sculpture. I showed students the artwork of Christo, Janine Antoni, Felix Gonzalez-Torres and Patrick Caire.
We talked about the meaning and how traditional aesthetics don’t play as big of a role in conceptual art. We read artist’s statements for students to better understand the role of the idea. We also discussed earthworks. We looked at the artwork of Dennis Oppenheim, Robert Smithson and Andy Goldsworthy.
In addition, there is a wonderful YouTube video that combines both conceptual art and earthwork created by Paul “Moose” Curtis, called “The Reverse Graffiti Project.” Students really identified with this idea and the fact that it is street art. I then presented to students their new sculpture assignment: to assemble a sculpture with significant meaning using found materials from nearby Lake Ray Hubbard, thus making it an earthwork as well.
In order to take the next step in our artistic process, I had to reach out to the Parks and Recreation Department of Rowlett, Texas, the city where I teach. We have the benefit of having Lake Ray Hubbard 15 minutes walking distance away from our school. The Parks Division Manager gave me permission to take my students out to the lake to collect the materials that they would use for their own conceptual sculpture/earthwork.
If you have a park or other natural area, be sure to take a pilot run prior to bringing students to make sure you know where you’re going, as well as what needs to be worn. I took photographs prior to our field trip to the lake so students could see ahead of time what possible materials they could find to give them a better idea of what to look for.
I was able get permission to take my advanced sculpture students out for about 3 hours to collect materials from the lake. Students wore long pants and sunscreen, and brought water, gloves and cloth bags to store materials. Cloth bags are preferable to plastic, which tear easily. As a precaution, remember to ask students if any of them have any allergies that may require an Epi-Pen® or inhaler.
With one of my colleagues, we escorted about 40 students down to the lake. Be sure to advise students not to bring back anything still living or recently dead, as these would be a health hazard in the classroom and to work with. On the walk, the students were drawn to different things: some gathered fish bones; others gathered driftwood; some wanted to use trash for their sculpture.
Back in the classroom, they spent time cleaning the found objects. For some, keeping the dirt on the trash was essential for the idea to come across; those students didn’t clean anything. Be cautious and inspect materials for health hazards. For example: one of my students collected a bottle that still had wine in it! Others found old, rusty lures with hooks still attached.
After cleanup, I asked students to generate a list in their sketchbooks of issues that they feel passionate about. Some of them were stumped, so I put it another way: What would they argue about if they were given the chance; what would they stand up for? After writing their lists, students began to draw symbols that could convey each message.
Students then chose to create a sculpture using the best message with the strongest symbols. Some wanted to collaborate with another student in class, which turned out to be helpful for those students that seemed to struggle with the idea of a conceptual sculpture. Plus, those who found a limited amount of materials had more to choose from when paired with another student. At the end of the project, if students worked with a partner, I had them peer-grade each other to ensure one partner didn’t work more than another.
Next, students began construction of their conceptual sculptures, which were completed in about eight studio hours. Some students chose to add classroom materials to their found objects, such as wire, fishing line, cardboard, paint, etc.
Finally, I asked students to each write a formal artist’s statement explaining his or her piece. I stressed how important it is to write and clearly communicate about their art so its value is understood. I put the sculptures and the statements on display in a case at the front of the school. I have also entered them in competitions. The students who created the conceptual sculptures are so proud of their work!
Schoolmates who viewed them have a lot of questions, but once they read the statement or talk to the student artist, they are very impressed. All around, it turned out to be a productive and educational assignment for all. Some students really identified with conceptual sculpture and have continued assembling found objects to convey a deeper meaning. I definitely achieved my goal: To inspire my students to think critically!
High-school students will …
• develop an understanding of conceptual art and earthworks.
• identify issues that are personally meaningful.
• create symbols that represent ideas.
• plan and assemble a sculpture whose meaning is more important than traditional aesthetics.
• gather and organize found objects to create an interesting composition.
NATIONAL ART STANDARDS
• Creating: Conceiving and developing new artistic ideas and work.
• Presenting: Interpreting and sharing artistic work.
• Responding: Understanding and evaluating how the arts convey meaning.
• Connecting: Relating artistic ideas and work with personal meaning and external context.
• Natural and manmade found objects
• Adhesives, scissors, craft knives
Kristine Winters Hamidou teaches art at John Paul II High School in Plano, Texas. This lesson took place while she was teaching at Rowlett High School.
Want More Classroom Projects From This Issue?